Multi-instrumentalist Duncan Parsons came up with ‘Music for Stairlifts’ as an experiment in improvisation, which he does entirely solo. No drums, No drums, just various guitars, bass, and a Rhodes. On part three, there’s one more instrument: the celesta. Most tracks open with a single instrument, and step by step, more instruments (and vocals) are added. Both wordless and fantasy vocals are used as instruments.
There are quite a few repetitions, but subtle additions and/or details keep it fascinating. Even when the rhythms clash, the balance is maintained. The blend of high and low tones is remarkable, as is the contrast between rhythm and melody. The tracks are intriguing: sometimes minimalistic and complex at the same time. There are a few accelerations or unexpected twists. The ambient music includes funk and a touch of rock. The sound quality is good, allowing both the details and the blends to come into their own. ‘Music for Stairlifts (Vol 3): Listening To Subtitles’ is a unique album to enjoy in peace and quiet.
(8/10) (Own Management)
Social Media:
Bandcamp: Duncan Parsons
Facebook: Duncan Parsons
Tracklist:
01 – Secondhand Sandwich Shop

02 – The Ballagon

03 – Forever Until Whenever

04 – Occam’s Tweezers

05 – Perpendicular Parking

06 – Rosie’s Smile

07 – The Curvature Of Clowns

08 – Skying

09 – Old Year’s Night
Line up:
Duncan Parsons:
Nylon strung guitar, 12/6 electro-acoustic double neck guitar, 6 string fretless bass, Rhodes, Celeste, voices