{"id":9828,"date":"2024-01-13T11:32:41","date_gmt":"2024-01-13T10:32:41","guid":{"rendered":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/?p=9828"},"modified":"2024-01-13T11:32:46","modified_gmt":"2024-01-13T10:32:46","slug":"sammary-the-dream","status":"publish","type":"post","link":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/mini-recensie\/sammary-the-dream\/","title":{"rendered":"Sammary &#8211; The Dream"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full is-style-default\"><a href=\"https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2024\/01\/MR_2024_The-Dream.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"240\" data-attachment-id=\"9829\" data-permalink=\"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/mini-recensie\/sammary-the-dream\/attachment\/mr_2024_the-dream\/#main\" data-orig-file=\"https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2024\/01\/MR_2024_The-Dream.jpg?fit=240%2C240&amp;ssl=1\" data-orig-size=\"240,240\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"MR_2024_The-Dream\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2024\/01\/MR_2024_The-Dream.jpg?fit=240%2C240&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2024\/01\/MR_2024_The-Dream.jpg?resize=240%2C240&#038;ssl=1\" alt=\"\" class=\"wp-image-9829\" srcset=\"https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2024\/01\/MR_2024_The-Dream.jpg?w=240&amp;ssl=1 240w, https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2024\/01\/MR_2024_The-Dream.jpg?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">On debut album &#8216;Monochrome&#8217; (2022), multi-instrumentalist Sammy Wahlandt played everything himself. For the new album &#8216;The Dream&#8217;, he handed over everything except the drums. The metal start of the album sounds a bit dingy. The turn to a smaller played part is unexpected. Vocals and music are balanced: Stella Inderwiesen has a rather soft (sometimes thin) voice, she barely sings in the rock\/metal parts. Occasionally the lyrics are half spoken, half sung and\/or stacked. &#8216;Oscillation&#8217; is short; the ending feels unnatural. The changes between hectic and calm in &#8216;The Dream&#8217; are fine. Added sound effects in &#8216;Awake&#8217; take some attention away from the calm piano sounds and subdued vocals.<br>These nine tracks feature heavy sounds of (bass) guitar as well as acoustic guitar sounds. They also contain poppy elements, synth(s) and piano sounds. Now the (unexpected) transitions flow much better than on their previous album, which is a real improvement.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(73\/10) (Progressive Promotion Records).<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-style-default\"><a href=\"https:\/\/www.maxazine.nl\/2024\/01\/06\/album-recensie-overzicht-sammary-gaswar-apogee-en-meer\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"217\" height=\"59\" data-attachment-id=\"8382\" data-permalink=\"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/rock\/paul-numi-parallel-lives\/attachment\/maxazine_2022\/#main\" data-orig-file=\"https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2021\/11\/Maxazine_2022.png?fit=217%2C59&amp;ssl=1\" data-orig-size=\"217,59\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Maxazine_2022\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2021\/11\/Maxazine_2022.png?fit=217%2C59&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2021\/11\/Maxazine_2022.png?resize=217%2C59&#038;ssl=1\" alt=\"\" class=\"wp-image-8382\"\/><\/a><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Sammary &#8211; The Dream<\/h1>\n\n\n\n<figure class=\"wp-block-image size-full is-style-default\"><a href=\"https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2024\/01\/MR_2024_The-Dream.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"240\" data-attachment-id=\"9829\" data-permalink=\"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/mini-recensie\/sammary-the-dream\/attachment\/mr_2024_the-dream\/#main\" data-orig-file=\"https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2024\/01\/MR_2024_The-Dream.jpg?fit=240%2C240&amp;ssl=1\" data-orig-size=\"240,240\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"MR_2024_The-Dream\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2024\/01\/MR_2024_The-Dream.jpg?fit=240%2C240&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2024\/01\/MR_2024_The-Dream.jpg?resize=240%2C240&#038;ssl=1\" alt=\"\" class=\"wp-image-9829\" srcset=\"https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2024\/01\/MR_2024_The-Dream.jpg?w=240&amp;ssl=1 240w, https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2024\/01\/MR_2024_The-Dream.jpg?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Op het debuutalbum \u2018Monochrome\u2019 (2022) speelde multi-instrumentalist Sammy Wahlandt alles zelf. Voor het nieuwe album \u2018The Dream\u2019 gaf hij alles, behalve de drums uit handen. De metalstart van het album klink wat groezelig. De wending naar een kleiner gespeeld deel is onverwacht. Zang en muziek zijn in balans: Stella Inderwiesen heeft een vrij zachte (soms iele) stem, ze zingt amper in de rock\/metal stukken. Af en toe is de tekst half gesproken, half gezongen en\/of gestapeld. \u2018Oscillation\u2019 is kort, het einde voelt onnatuurlijk. De wisselingen tussen hectiek en kalmte in \u2018The Dream\u2019 zijn prima. Toegevoegde geluideffecten in \u2018Awake\u2019 halen wat aandacht weg van de kalme pianoklanken en ingetogen zang.<br>In deze negen nummers zijn zowel de zware klanken van (bas) gitaar als akoestische gitaarklanken te horen. Daarnaast zijn er poppy elementen, synthesizer(s) en pianoklanken in verwerkt. Nu verlopen de (onverwachte) overgangen veel beter dan op hun vorige album, dat is een flinke verbetering.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(73\/10) (Progressive Promotion Records).<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/fDjrkcNsAq0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=nl-NL&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Tracklist<\/strong>:<br>01 &#8211; Cascades &#8211; 05:24<br>02 &#8211; Trance &#8211; 04:37 S<br>03 &#8211; Oscillation &#8211; 01:41<br>04 &#8211; Voices &#8211; 07:32<br>05 &#8211; The Game &#8211; 05:09<br>06 &#8211; Rotations &#8211; 02:24<br>07 &#8211; The Dream &#8211; 05:28<br>08 &#8211; Eulogy For A Dream &#8211; 04:50<br>09 &#8211; Awake &#8211; 04:00<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Line up<\/strong>:<br>Sammy Wahlandt (Drums)<br>Stella Inderwiesen (Vocals)<br>Marvin Kollmann (Guitar)<br>Joerg Wahlandt (Guitar)<br>Benedikt Schadt (Keys)<br>Ivan Khobta (Synths)<br>Julius Stapenhorst (Bass)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Guests<\/strong>:<br>Synth Solo on &#8220;Trance&#8221; by Adam Holzman<br>Guitar Solo on &#8220;Voices&#8221; by Bruno Bolz<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On debut album &#8216;Monochrome&#8217; (2022), multi-instrumentalist Sammy Wahlandt played everything himself. For the new album &#8216;The Dream&#8217;, he handed over everything except the drums. The metal start of the album sounds a bit dingy. The turn to a smaller played part is unexpected. Vocals and music are balanced: Stella Inderwiesen has a rather soft (sometimes &#8230; <a title=\"Sammary &#8211; The Dream\" class=\"read-more\" href=\"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/mini-recensie\/sammary-the-dream\/\" aria-label=\"Lees meer over Sammary &#8211; The Dream\">Read more, available in English and Dutch<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"generate_page_header":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[226],"tags":[],"class_list":["post-9828","post","type-post","status-publish","format-standard","hentry","category-mini-recensie"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7wJLW-2yw","jetpack-related-posts":[{"id":7153,"url":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/cd-recensie\/apocalyptica-cell-0\/","url_meta":{"origin":9828,"position":0},"title":"Apocalyptica \u2013 Cell-0","author":"Esther Kessel-Tamerus","date":"3 januari 2020","format":false,"excerpt":"Apocalyptica werd zo\u2019n 25 jaar geleden opgericht in Helsinki, Finland. Na een stilte van vier jaar is \u2018Cell-0\u2019 hun negende studio album, en het eerste instrumentale album sinds zeventien jaar. Waar de complexe nummers over gaan, dat vertellen ze niet. De luisteraar mag zijn\/haar eigen idee erover hebben. \u2018Ashes Of\u2026","rel":"","context":"","block_context":{"text":"CD recensie","link":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/category\/cd-recensie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2020\/01\/Cell-0.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8525,"url":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/cd-recensie\/threads-of-fate-the-cold-embrace-of-the-light\/","url_meta":{"origin":9828,"position":1},"title":"Threads of fate \u2013 The cold embrace of the light","author":"Esther Kessel-Tamerus","date":"30 maart 2022","format":false,"excerpt":"'Threads of Fate' was formed about five years ago by singer Jon Pyres. Death appears in novels, poetry and music. So also on the album 'The Cold Embrace of the Light'. Besides doom and prog metal, Threads of Fate also uses symphonic elements. The first few seconds of 'Beneath A\u2026","rel":"","context":"","block_context":{"text":"CD recensie","link":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/category\/cd-recensie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2021\/11\/GB_Vlag_2022.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":7413,"url":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/cd-recensie\/bioplan-epipath-ocular\/","url_meta":{"origin":9828,"position":2},"title":"Bioplan \u2013 Epipath &#038; Ocular","author":"Esther Kessel-Tamerus","date":"10 juni 2020","format":false,"excerpt":"Andi Kravljaca is een Zweedse multi-instrumentalist. Hij houdt van metalbands zoals Megadeth en Slayer. Daarnaast is hij groot liefhebber van synthesizermuziek van bijvoorbeeld Jean Michel Jarre. Liefhebbers van (prog)metal zullen Andi kennen als zanger van onder andere Thaurorod en Aeon Zen. Maar Andi schrijft zelf ook. Hij brengt zijn muziek\u2026","rel":"","context":"","block_context":{"text":"CD recensie","link":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/category\/cd-recensie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2020\/06\/Epipath-Ocular.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":10888,"url":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/cd-review-gb\/hteththemeth-telluric-inharmonies\/","url_meta":{"origin":9828,"position":3},"title":"Hteththemeth &#8211; Telluric Inharmonies","author":"Esther Kessel-Tamerus","date":"7 april 2025","format":false,"excerpt":"Hteththemeth is a Romanian avant-garde progressive metal band. Avant-garde metal is an experimental style of metal. It is typified by unusual sounds, instruments and song structures. Their new album \u2018Telluric Inharmonies\u2019 also features many calm, spherical parts mixed with classical, electronic and some metal elements. The story of this concept\u2026","rel":"","context":"","block_context":{"text":"CD Review (GB)","link":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/category\/cd-review-gb\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2021\/11\/NL_Vlag_2022.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8403,"url":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/cd-recensie\/tdw-fountains\/","url_meta":{"origin":9828,"position":4},"title":"TDW \u2013 Fountains","author":"Esther Kessel-Tamerus","date":"29 december 2021","format":false,"excerpt":"Tom de Wit is a well-known name in the prog metal circuit. He is the man behind the band 'Dreamwalkers Inc'. Occasionally he releases a solo album under the name of TDW. Early this year, there was the physical release of his personal album 'The Days The Clock Stopped'. Also\u2026","rel":"","context":"","block_context":{"text":"CD recensie","link":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/category\/cd-recensie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2021\/11\/GB_Vlag_2022.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8184,"url":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/cd-recensie\/aeon-zen-transversal\/","url_meta":{"origin":9828,"position":5},"title":"Aeon Zen &#8211; Transversal","author":"Esther Kessel-Tamerus","date":"16 september 2021","format":false,"excerpt":"To come straight to the point: 'Transversal' is the last album of Aeon Zen. The band didn't want to stop without a farewell, hence this special album as final piece. In their own words, 'Transversal' is the most complete piece of music. The composition of this album started fourteen years\u2026","rel":"","context":"","block_context":{"text":"CD recensie","link":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/category\/cd-recensie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kessel-tamerus.nl\/Esthers_Blog\/wp-content\/uploads\/2017\/03\/GB_Vlag_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/wp-json\/wp\/v2\/posts\/9828","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/wp-json\/wp\/v2\/comments?post=9828"}],"version-history":[{"count":0,"href":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/wp-json\/wp\/v2\/posts\/9828\/revisions"}],"wp:attachment":[{"href":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/wp-json\/wp\/v2\/media?parent=9828"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/wp-json\/wp\/v2\/categories?post=9828"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/wp-json\/wp\/v2\/tags?post=9828"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}