{"id":10819,"date":"2025-02-11T07:00:00","date_gmt":"2025-02-11T06:00:00","guid":{"rendered":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/?p=10819"},"modified":"2025-02-09T16:11:40","modified_gmt":"2025-02-09T15:11:40","slug":"nachtblut-todschick","status":"publish","type":"post","link":"https:\/\/kessel-tamerus.nl\/Esthers_Blog\/mini-recensie\/nachtblut-todschick\/","title":{"rendered":"Nachtblut – Todschick"},"content":{"rendered":"\n
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German band Nachtblut mixes dark metal with classical elements, new wave and even western influences. This is wrapped up in rousing rhythms, heavy riffs and catchy, sometimes almost poppy melodies. They criticise modern social issues. Death features in a number of lyrics. \u2018Von Hass Getrieben\u2019 has a serene, classically-oriented start. Songs like \u2018Todschick\u2019 and \u2018Das Leben der Anderen\u2019 are great to roar along to. The changes between musical styles are sometimes quirky, as in \u2018Stirb Langsam\u2019 which features folk: live, this will be a great experience. The same goes for \u2018Mein Ist Die H\u00f6lle\u2019, although it is a bit much at times. The cool turn to a small played part in \u2018Schneller Als Der Tod\u2019 is quite surprising.
Askeroth’s striking vocals can occasionally be a little too overpowering. The grim sound forms a special combination with the beautiful stacked vocals\/choir singing. The low vocals\/storytelling are warm in colour, the wordless grunts are fantastic. The contrasts and twists between lighter elements and the darker music are good. \u2018Todschick\u2019 is an exceptional and diverse album.<\/p>\n\n\n\n

(7\/10) (Napalm Records)<\/p>\n\n\n\n

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